Category Archives: movies

Updates: HBO’s “Luck,” PETA, Dharun Ravi

If you saw the latest “Luck,” on HBO, it’s curious how the American Humane Association logo, and the “No Animals were harmed” disclaimer still appears in the credits. Maybe none were harmed in that episode, but with the record of the show of at least 3 deaths, who can say?

The phrase “no animals harmed…” has become such a cliche that it’s unclear what it really means anymore. And now we know what it’s meant on “Luck.”

The reaction to my piece about my wife and luck at http://blog.sfgate.com/eguillermo
has been interesting.

A few took me as bragging about my wife’s work as a PETA VP.

But I was merely sharing an insider’s perspective of how real modern day activism works. It’s not just picket signs and demos. It’s practically investigative journalism. And in this case there is a symbiotic relationship between the activist and the media that most people don’t realize.

The other thing I’m amazed about is the reaction from the horse racing industry to the cancellation of “Luck.” The industry should be happy the show was cancelled. “Luck” focused on a “Sopranos” goes to Santa Anita story line that made the whole enterprise of racing look sleazy, dishonest and populated by degenerate low-lifes. I know that can make for good TV, but it doesn’t breed public trust in an industry that is dying. No one was calling for the abolition of horse racing. But wouldn’t it be nice if the game were fair and humane? As it was, “Luck” depicted the industry as just the opposite, and yet people are angry at PETA for uncovering the deaths of the horses which led to the canceling of the show. “Luck” defenders like to shrug off the horse deaths by saying accidents happen. Yeah, sure, in real races. I go back to the basic issue: Real horses shouldn’t die in fake races.

“Luck” had no real defense. Its cancellation was humane, considering the production wasn’t.

RAVI, TYLER CLEMENTI, AND THE RUTGERS CASE

If you haven’t seen my post go to www.aaldef.org/blog

It’s funny how hate crimes and cyber-bullying have all been rolled up into one blobby mess of intolerance. That’s good, but the broader definition will mean less clarity on hate crimes than ever, more and harsher punishment, and a whole lot less freedom in general.

Is that really what we want? Isn’t there a better way to demand we all show a little kindness, civility and mutual respect to each other?

HBO cancels “Luck” as horse deaths on set forces network to do the right thing

Responding to pressure from PETA over the deaths of three thoroughbreds, HBO has cancelled the series on horse racing, “Luck.”

It’s too bad for the cast and crew, as shooting had begun on a second season meaning at least another eight months of work. Production staffers reportedly just learned about the cancellation around 4:30 PDT from journalists.

But any blame should be put squarely on the producers for the cancellation.  If they were serious about animal welfare, they shouldn’t have used old, out-of-shape horses in the race sequences. And they should have had more attentive  oversight from the group hired by SAG and producers to make sure that indeed “no animals were harmed” during the production.

Inspite of the participation of some heralded names in show biz (Dustin Hoffman, David Milch, Michael Mann), mixed in with racing notables like Hall of Fame jockey Gary Stevens, “Luck” never seemed to live up to its hype.

It was a mixed first season with a  brooding story of racing degenerates and shadowy corporate characters blended with the real life drama of Indian gaming and slot machine placements in racetracks. 

“Luck” had none of the uplift of “Secretariat,” nor the heart of “Sea Biscuit.” Instead, it was a nasty, gritty depiction of the race world.  It wanted to be “The Sopranos” with horses.

Maybe it was too real.

Ironically, a recent episode featured a horse breaking down. In fact, the real life story of  unsound horses racing when they shouldn’t, was  a subtheme in the series.

In the end, that’s what ends up sinking the whole enterprise.

Art and real life were too close.

When real horses end up dying in the filming of fake races, that’s just too ironic for words.

Were the Oscars really that boring? Where’s Sacheen Littlefeather when you need her?

I watched and was surprised at how unfunny the Oscars were.  I laughed at Chris Rock’s jokes. But the rest of it? Emma Stone? Painful.

Lacking in humor, lacking in real diversity (lacking in Asian Americans, oh wait there was that violinist on the commercial bridges),  lacking in importance.  Do you really care about the fancy dresses?

Read my view  on the Asian American Legal Defense and Education Fund blog:

http://aaldef.org/blog/watching-oscar-sacheen-littlefeather-we-need-you.html

Watching the Oscars and rooting for “The Descendants”

In California, but not Hollywood, watching Oscars like everyone else. But my family’s doing it up Hawaiian-style (a coconut monkey in a hula skirt, and two tiki mini-torches on the dining table) and rooting for “The Descendants.”
The film is an underdog to “The Artist.” I liked both, but my brief time on Oahu made the George Clooney film my sentimental favorite. Besides, there were real Asian Americans in that film. Clooney is my favorite for best actor as well, but the buzz on “The Artist,” and Jean Dujardin, may be a bit too hard for film and actor to overcome.
“The Artist” was fabulous too. Beyond the silent film aspect, I thought the movie was a perfect recession era film for our modern times. When Valentin gets usurped by the talkies, it’s almost analagous to the technological upheavals that have changed numerous industries today. Maybe after tonight, the movie will be more widely released and more regular folks (aside from filmsnobs) can see what all the hubub is about. You won’t find “The Artist” in most U.S 16-plexes (at least not in my neck of the woods).
It shouldn’t be seen as a film just for nostalgic film buffs.
If you’ve lived through this recession, unemployed, with an upside down mortgage, there’s a lot in this film to which you can relate.
Still, I thought “The Artist” was about 20 minutes too long.
And I thought the dog should have been nominated.
That said, the teenager in “The Desendants,” Shailene Woodley, should have been nominated too.
I also managed to get to “My Week with Marilyn.” Michelle Williams is my choice for best actress. Won’t happen. Too much Davis/Streep talk. But Williams was Marilyn.
Got to see “Tree of Life” last night. Pretty. Arty. But not Oscar-y.
Have fun watching.
I will keep drinking Mai-Tais until “The Descendants” win something. And if they don’t, I’ll switch to banana daquiris.
And by then, I’ll be just like the guy in “The Artist.”